Close Give Feedback
Resene Paints - home page
Follow us on Facebook Follow us on Pinterest Follow us on Instagram Follow us on YouTube

surface preparation - timber including reconstituted products

Architect's memo 21: September 1982

Recognising the importance of correct surface preparation for any successful paint job, Resene included a variety of detailed information sheets on this subject in their Manual. From the many enquiries we receive on this subject it appears that information on this subject requires further dissemination. Therefore for this and some further memos we intend to reproduce these articles on surface preparation starting with Timber.


Timber is a dimensionally unstable material that expands and contracts with changing moisture content. The timber surface is eroded by ultra violet light, normally changing to grey colour, and leaving cellulose fibres exposed on the surface. Timber also provides a source of nutrient for mould growth. A protective system for timber needs to be able to combat these three sources of aggression, viz. water, ultra violet light, and mould.

Some timber contain resins and oils that can affect the performance of paint; such as resin pockets in pine that can soften and bleed through paints; oils in teak that can prevent penetration and adhesion of paint anti-oxidants in totara and matai that will inhibit the drying of oil-based paints.

Reconstituted timber products are subject, to a greater or lesser degree, to the same degradations as timber. The majority of these produces contain wax to improve water resistance and wet-strength. These waxes can be dissolved in hydrocarbon solvents present in oil-based paints, and are then deposited on the film surface when the solvent evaporates. This wax layer can upset the gloss and finish of the paint system and seriously retard the drying of oil-based paints by blocking the ingress of oxygen needed for curing.

Surface Preparation

If mould is present, treat with Resene Moss & Mould Killer. sand the surface (always along the grain), to remove minor imperfections and any loose surface fibres. Radius all edges.

Loose fibres can be assumed to be present if timber is left uncoated in the weather for more than one week.


  1. Always coat any end grain prior to erection.

  2. Never coat timber when its moisture content is higher than 16%.

  3. Always carry out filling procedures after priming.

Refer D82 in the Resene One-Line Specification manual for detailed instructions.

Download as a pdf. (You will need Acrobat Reader).

‹ Previous
# 18 - coloured undercoats - they do make a difference
coloured undercoats
Next ›
# 22 - surface preparation
cementitious surfaces for painting

Architects memos
The Resene architect's memo section provides technical information on a variety of topics relating to paints, finishes and coatings.

View memos


Order online now:
Testpots | Paints | Primers and Sealers | Stains | Clears | Accessories

Get inspired Get inspired ! Subscribe      Get saving Get saving ! Apply for a DIY card

Resene Paints Ltd

Can't find what you're looking for? Ask us!

Resene Paints (Australia) Limited   –

Follow us on Facebook Follow us on Pinterest Follow us on Instagram Follow us on YouTube
Videos on how to paint and stain your house

Colours shown on this website are a representation only. Please refer to the actual paint or product sample. Resene colour charts, testpots and samples are available for ordering online.   See measurements/conversions for more details on how electronic colour values are achieved.

What's new | Specifiers | Painters | DIYers | Artists | Kids | Sitemap | Home | TOP ⇧