Matthew Nisbet Opua mural
Inspired by Bridget Riley, an Opua waterfront building
is being transformed with a complicated geometric design, perceptually
bending the shape of the building through the clever composition
and colour use.
A lavish of love, many months of work has gone into creating
the unique finish comprised of two colour coats and then a final
coat with white and colour to produce the clean sharp lines that
Bridget Riley uses.
So frenzied are the shapes, that one garage door was stopped
and changed as the full rendition of the original design, Movement
in Squares 1961, can bring on epilectic seizures. The Blue
and White is from the 1963-65 period typified by 'Twist 1963',
'Descending 1965' and 'Shuttle 1964'.
Putting these detailed artworks onto a building brings with it
complications of accuracy of outline and hence the straight line
forms. The other difficulty is the bumps and structural bits that
differ from a piece of paper. The perspective changes from
all angles and many touchups are needed to get the finish just
right.
Resene primer and paint in hues of Resene Anakiwa, Resene Onahau,
Resene French Pass, Resene Pelorous, Resene Spanish White, Resene
Cape Honey and Resene White were used during the trials and the
final rendition.
Such is his creative focus, that creator Matthew Nisbet comments
that If I was not trying to set up a gallery then it could
become a full time obsession!
Artist: Matthew
Nisbet
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